Of course, knowing me, I will likely end up spending less time using it to capture meaningful holiday moments and unique historical attractions-- and more time figuring out how to do stop-animation film of, say, Marshmallow Peeps staging an Easter-time jailbreak or something.
But to each his own.
The thought of the video camera, however, brought back memories of the last real family trip my parents and I took together-- a trip to Disney, in my 17th summer...
And how the Frontierland roller coaster made a, er, lasting impression on my Pop.
I believe I mentioned last week that during the 80s, my father had a very high-tech video camera. Which meant it was roughly the size of a Victorian steamer trunk for a six-month voyage. And this being my last trip with the folks before permanently flying the nest, the Pop was determined to document ALL the memories using this fine example of technology.
So, as we passed through Frontierland, and waited in line for the Big Thunder Mountain Railroad ride, my father decided that it would be pretty cool to film being on the ride.
Now, I don't know if you're familiar with this ride or not, but it's styled like a runaway train, rolling through jagged Old West mountains and dry desert terrain. And is it fast! Many a set of Mickey Mouse ears-- and a zippity-do-da-dinner-- has been a casualty of this ride.
Having explored this ride previously on a band trip, I was well aware of this fact. But see here's the thing:
My dad is a very intelligent man, but he is not what you'd call "A Listener." I've learned over the years that I have about a five-word limit on my part of any conversation before he's already delving into more important things.
It's sorta like using Twitter. I know I'd better get what I have to say out in the allotted characters or it's all a no-go.
(Now I think about it, I probably became a writer so I could complete full sentences.)
Anyway, so when the Pop was explaining his plan for the Best Family Video Ever, I was getting out phrases like...
"But Pop, this is fast and--"
"Really fast, Pop! I don't think--"
"The curves, you see, are quite--"
"It winds, Pop, centripetal force, and--"
No dice. The five-word limit was still in place.
So as we strapped ourselves into the car-- Dad in the center with the electronic steamer trunk hoisted onto his shoulder-- well, I admit, I felt a certain smug anticipation. I mean, I know why I didn't stop him, but why no one else gave it a shot, I really can't say.
Or why he didn't pay attention to the signs saying "Secure Your Belongings, This is a Super-fast Ride and YOU, Sir, Still Seem to be Holding Very Expensive Recording Equipment."
Some footage apparently is worth the risk.
So the ride began at a nice enough pace. We chugged up the hill, the Pop smiling benevolently at Mom and me with the glow of a cameraman destined for home movie greatness.
And then we got to the top and Pop's whole perspective on the matter shifted.
So did the video camera.
As we roared around the turn-- the sounds of Jethro Tull's Locomotive Breath seemed to come to my ears-- and the camera had decided it would prefer to bow to the forces of physics over the force of one very determined tourist from New Jersey.
It took a feat of astounding strength for my father to even retain his grip on the machine-- so fast were we clattering over the rails, around horseshoe bends, and s-curves, with animatronic buzzards fluttering in wait.
The Pop managed through sheer will alone to force the camera into a spot of relative stability back down into the car, onto his leg. The ride, two thrilling minutes for some-- two terrifying minutes of destruction and potential lawsuits for another-- slowed at the station, the engine letting out a steamy sigh of relief.
My father did, too. We exited and Pop rose, only to notice his upper thigh had taken on a brand new feature...
A Victorian steamer trunk-sized, camera-shaped bruise.
I used my five word allotment:
"Told you it was fast."
Pop didn't find it nearly as funny as I did.
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